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Venus In Lace
Bronze - 2000 - 38" x 31" x 8"
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Carole Feuerman, scultrice
iper-realista americana presenta a Londra,
una mini-retrospettiva di sculture in
bronzo.
Fra i premi recenti di
Feuerman ci sono Premio Città di Firenze,
Lorenzo Il Magnifico, per la Biennale di
Firenze 2005, Premio di Onore 2002
Ausstellungszentrum Heft, Huttenberg,
Austria.
Recentemente una mostra personale
al QCC Museo d’Arte/CUNY intitolata “Resin
to Bronze Topographies”, è stata seguita
dall’istallazione del suo lavoro nei
prestigiosi “Grounds for Sculture”.
Moretti Fine Art Ltd
43-44
New Bond Street (5th floor)
London W1S 2SA
tel.
+44 20 7491 0533
Fax
+44 20 7491 0553
e-mail
london@morettigallery.com
www.feuerman-studios.com
Carole Feuerman is
acknowledged as one of America's major
realist sculptors. In 2004, she exhibited in
"An American Odyssey 1945-1980" with the
most prominent American artists of the
post-WWII era. A comprehensive one-person
show at theQCC Art Museum entitled "Resin to
Bronze Topographies" (catalogueessays
authored by critics John Yau and Donald
Kuspit) was followed byinstallation of her
work into the permanent collection of the
prestigiousGrounds for Sculpture. Feuerman's
selected honors include the Peabody
Award, the Betty Parson Sculpture Award, the
Medici Award, and the Award from
CadillacMotors. Her work is included in the
selected collections of President
BillClinton & Senator Hillary Clinton, Dr.
Kissinger, President Gorbachov,
theMetropolitan Museum of Art, the State
Hermitage, St. Petersburg, the
FortLauderdale Museum of Art, the Bass
Museum, the Boca Raton Museum, and theForbes
Magazine Art Collection. Last March 2007,
Feuerman gave her secondworkshop at the
Metropolitan Museum of Art, called "La
Escultura, LaTecnica," organized by the
museum's education curator, Rosa Tejada.
Thispast June 2007, Feuerman had a solo
exhibition called, "By the Sea,"curated by
John T. Spike, at the Pavilion Paradiso,
during the Venice Biennale.
In August, Feuerman
exhibited at "Open" 2007, an International
Sculpture Exhibition, curated by Paolo de
Grandis, coinciding with the Venice
FilmFestival in Lido. Her work can be seen
in New York City at the Jim KempnerGallery
where “People Places and Things,” curated by
Dru Arstark,features Feuerman’s monumental
sculpture, “The Survival of Serena” in their
garden. In San Francisco, Feuerman is
represented by the Scott Richards Gallery.
“Lust & Desire”, curated by PeterFrank, and
their Director: Gertrude Kohler-Aeschlimann
(catalogue essays bycritics Stephen C.
Foster and Peter Frank) opened last spring
at Art-st-Urban, Lucerne, Switzerland and
will continue through the fall of 2008. In
Italy andLondon, she is represented by the
Moretti Gallery where she has three
bronzesculptures on view at their London
location.
This coming June, she
will have aone person exhibition at Moretti,
Florence, complete with a new book and a
filmabout the work she is creating in
Florence. Feuerman has also been invited
to exhibit in the Beijing Biennale this
coming summer. From November till
February 2009, her traveling retrospective
originating at the Amarillo Art Museum
in Texas, curated by Graziella Marchicelli
will open. October 2009, one of her earliest
paintings created in the 80”s, “Gloria”
will be part of a traveling group exhibition
at the San Antonio Museum of Art
called "Psychedelic - Optical Visionary Art
since the 60's”. It was curatedby David S.
Rubin of the Brown Foundation. Currently,
Feuerman is working on a commission by the
Atlantic Foundation for their permanent
collection. Just outis Abrams coffee table
book “A History of Western Art,” written
by Antony Mason and John T. Spike. It covers
everything from cave paintings to Leonardo da
Vinci, Andy Warhol to Picasso and includes
Feuerman’s“Grande Catalina” in the section
called New Media: New Directions.
Stephen C. Foster
