2007
::
curated by Gabriele Caioni
::
A catalogue accompanies the exhibition with
essays by Elena Capretti, Andrea De Marchi,
Francesco Frangi, Gaudenz Freuler, Nicoletta
Pons, Angelo Tartuferi and Stefan Weppelman
::
Works Included: Bernardo
Daddi, Saint Catherine of Alexandria; Taddeo Gaddi,
Saint Anthony Abbot;
Niccolò di Tommaso, Madonna and Child
Enthroned with Saints Peter, Paul, John the
Baptist, Mary Magdalene, John the Evangelist
and Catherine of Alexandria;
Spinello di Luca Spinelli,
detto Spinello Aretino, Saint Ambrose and
Saint Simon;
Taddeo di Bartolo,Saint Francis and Saint
Simon; Bicci di Lorenzo, Saint Louis
of Toulouse between Beato Gherardo da
Villamagna and Saint Anthony of Padua; Lorenzo Monaco,
Saint Peter;
Master of the Madonna Straus (Ambrogio di
Baldese?), Madonna with Child enthroned
with Saint Anthony Abbot and a kneeling
Bishop; Andrea di Bartolo, The
Evangelists John and Matthew; Giovanni
di Marco, called Giovanni dal Ponte, Madonna with Child Enthroned with Saints
Lawrence and Anastasia; Giovanni di
Paolo, Madonna with Child Enthroned with
Saint Bartholomew, Saint Jacob Major and two
female saints;
Domenico di Francesco, called
Domenico di Michelino, Madonna with Child;
Neri di Bicci, Saint
Lawrence in Glory with four angels; Giovan Francesco da Rimini,
The
Coronation of the Virgin, Alessandro di
Mariano Filipepi, called Alessandro
Botticelli, and workshop, Madonna with
Child; Piero di Cosimo, Madonna with
Child and Three Angels; Giovan Girolamo
Savoldo, Saint Dominic and Saint
Veneranda, Saint Anthony Abbot and Saint
Vincent Ferrer; Giovanni Antonio
Sogliani and Lorenzo di Credi?, Coronation of the Virgin and Saints
ISBN:
978-88-596-0277-4
The catalogue, edited by
Polistampa, is available for purchase at
www.polistampa.com
.
2005
::
curated by Fabrizio Moretti e Gabriele Caioni
::
A catalogue accompanies the exhibition with
essays by
Roberta
Bartoli, Luciano Bellosi, Cristina Guarnieri,
Andrea De Marchi, Jonathan K. Nelson,
Francesca Pasut, Nicoletta Pons, Angelo
Tartuferi
:: Wors
Included:
Maestro dell’Annunciazione
Spinola, The Birth of Christ; Paolo
Veneziano, Bishop Saint; Allegretto
Nuzi, Madonna with Child; Agnolo
Gaddi, Madonna of the Humility and two
angels, Saint John the Baptist, Saint
Catherine of Alexandria, an Annunciation;
Maestro della Misericordia, Coronation of
the Virgin with Angels and Eight Saints;
Jacopo di Cione, Enthroned Madonna with
Child with Saint Anthony Abbot, Saint Mary
Magdalene (?), a bishop/saint, Saint
Catherine of Alexandra and Eight Angels;
Paolo di Giovanni Fei, Crucified Christ
and Augustinian monk; Maestro della
Dormitio di Terni, Madonna of Humility
and Blessing Christ, Annunication, Saints
Peter and Paul, Saint John the Evangelist
and Saint John the Baptist; Tommaso di
Cristofano, called Masolino, Saint John
the Evangelist; Francesco Squarcione
(attributed to), Madonna with Child
surrounded by Cherubs; Giovanni di Paolo,
Saint Clare of Assisi, Saint Elisabeth of
Hungary; Filippo Lippi, Madonna with
Child, Saint Lucy, Saint Lawrence, Saint
Catherine of Alexandria, Saint Nicholas of
Bari; Cosimo Rosselli, Jesus
returning from the Temple with his parents;
Jacopo del Sellaio, Adoring Madonna
with John the Baptist; Biagio D’Antonio
Tucci, Enthroned Madonna and Child with
two angels; Francesco Botticini, Portrait of a Young Man; Bernardino di
Bosio Zaganelli, Madonna with Child and
two angels; Pietro Vannucci called il
Perugino, Saint
Catherine of Alexandria
ISBN:
88-7970-258-0
2003
::
curated by Fabrizio Moretti
::
A catalogue accompanies the exhibition with
essays by Alessandro Angelini, Luciano
Bellosi, Daniele Benati, Andrea De Marchi,
Gaudenz Freuler, Jonathan Katz Nelson,
Nicoletta Pons, Angelo Tartuferi, Lisa
Venturini.
:: The exhibition includes about
thirty pictures, most of which have never
been published, spanning a long and vibrant
period of time: from the end of the 13th
century to the beginning of the 16th
century: Maestro di Monteoliveto, Taddeo
Gaddi, Puccio di Simone, Ambrogio Lorenzetti,
Giovanni da Milano, Maestro of the Ashmolean
predella, Jacopo di Cione, Andrea di
Bartolo, Agnolo Gaddi, Lorenzo di Bicci,
Maestro di San Pier Damiano, Maestro di
Roncaiette, Maestro di Bardolino, Maestro di
San Davino, Sano di Pietro, Follower of
Tommaso del Mazza, Pietro di Giovanni
Lianori, Jacopo del Sellaio, Francesco
Botticini, Luca di Paolo di Niccolò,
Botticelli (workshop), Giovanni Mazone,
Pietro di Francesco Orioli, Pseudo
Pierfrancesco Fiorentino, Baldassarre
Carrari, “Tommaso”, Memphis Master.
ISBN:
88-8304-616-1
2001
::
curated by Francesca Baldassari
::
A catalogue accompanies the exhibition with
essays by Francesca Baldassari, Luciano
Bellosi, Daniele Benati, Franco Canepa,
Gaudenz Freuler, Laura Laureati, Nicoletta
Pons, Angelo Tartuferi, Ludovica Trezzani,
Lisa Venturini.
ISBN:
88-8304-371-5
1999
:: curated by Maria Pia Mannini
::
A catalogue accompanies the exhibition with
essays by
Nicoletta
Baldini, Luciano Bellosi, Daniele Benati,
Elisa Camporeale, Sonia Chiodo, Andrea G. De
Marchi, Marco Fagioli, Andrea Franci,
Florian Harb, Ada Labriola, Maria Pia
Mannini, Daniela Parenti, Ugo Ruggeri,
Angelo Tartuferi
ISBN: 88-8304-104-6
and
FLORENCE 2008
::
edited by Gabriele Caioni
::
photo by Alessandro Moggi
::
Today, she is the reigning doyenne of
super-realism. Born in 1945, Carole A. Feuerman
was a full generation younger than Duane Hanson
and John de Andrea, as is one of the pioneers of
figure sculpture that is life-sized and
life-like down to the tiniest details. In the
early 70’s, while Hanson was exhibiting his
supermarket shoppers and other Pop Art satires,
Feuerman was drawing album art for Alice Cooper
and the Rolling Stones (‘Monkey Man’). When she
turned to sculpture in 1978, she took
super-realism in a new direction: she got
personal.
ISBN:
978-596-0410-5
The catalogue, edited by
Polistampa, is available for purchase at
www.polistampa.com
.
LONDRA 2008
::
coordinated by Flavio Gianassi in
collaboration with Tova Ossad
::
in association with Montrasio Arte -
Milano/Monza/new York
::
catalogue edited by R. Montrasio e F.
Moretti
::
more info
LONDRA 2008
::
coordinated by Flavio Gianassi in
collaboration with Tova Ossad
::
in association with Galleria Chiari - Roma
::
catalogue edited by Alberto Agazzani
::
more info
MAASTRICHT
@Tefaf 2008
::
curated by Giovanni Gentilini
The brilliance and
beauty of this delicate low relief (rilievo
schiacciato) in painted stucco representing the
Virgin absorbed in the act of supporting and
contemplating her Son, who in turn is wholly
intent on play (goldfinch in hand), though
pensive in mood, can be derived from a fortunate
type of Marian effigy known under the
conventional name of Madonna of the Candelabra,
due to the precious motif of the two candelabra
that embellishes its background. The composition
in question has been examined and analysed by
several art historians. None has traced its
probable marble prototype, but all agree in
recognizing the sculptor Antonio Rossellino –
among the most famous and prolific masters of
the Early Renaissance in Florence – as the
inventor of the model and in attributing to him
those replicas, either in stucco or in
terracotta, that are distinguished by greater
plastic freshness and vivacity.
ISBN:
978-88-000-0355-9
The catalogue, edited by
Polistampa, is available for purchase at
www.polistampa.com
.
LONDON 2008
::
curated by
Flavio Gianassi in collaboration with Tova
Ossad
:: Carole Feuerman
is acknowledged as one of America's major
realist sculptors. In 2004, she exhibited in
"An American Odyssey 1945-1980" with the
most prominentAmerican artists of the
post-WWII era. A comprehensive one-person
show at theQCC Art Museum entitled "Resin to
Bronze Topographies" was followed
byinstallation of her work into the
permanent collection of the
prestigiousGrounds for Sculpture. Feuerman's
selected honors include the Peabody
Award,the Betty Parson Sculpture Award, the
Medici Award, and the Award from
CadillacMotors. Her work is included in the
selected collections of President
BillClinton & Senator Hillary Clinton, Dr.
Kissinger, President Gorbachov,
theMetropolitan Museum of Art, the State
Hermitage, St. Petersburg, the
FortLauderdale Museum of Art, the Bass
Museum, the Boca Raton Museum, and theForbes
Magazine Art Collection.
::
more info
LONDON 2007
::
curated by
Flavio Gianassi
:: A selection of pictures by
the Italian photographer, Luigi Ghirri
(1943-1992) cured b Flavio Gianassi.
Highlighting his notable series, beginning
with the beginning of his career (1970 –
1973) e Paesaggi di cartone (1971-1974).
Diaframma 11 and Views (1970 – 1979) are two
series in which he begins his fascination
with the Italian landscape. Highlights from
his series Topographie-Iconographie
(1978-1981), Paesaggio Italiano (1980 –
1992) and Strada provinciale delle anime
(1988-89) are also included.
FLORENCE 2007
::
in collaboration with Montrasio Arte -
Milano/New York
::
Introduction by Fabrizio
Moretti and Ruggero Montrasio, with an
article by Mauro Natali.
NEW YORK 2007
::
in collaboration with Richard L. Feigen &
Co.- New York
::
Works by
Paolo Veneziano, BishopSaint, circa 1345-47, Taddeo
Gaddi, Saint Anthony Abbot, circa
1345-50 T, Rossello di Jacopo Franchi, Saint John the Evangelist and Saint Francis,
circa 1395, Taddeo di Bartolo Saints
Simon and Francis, Lorenzo Monaco, Saint Peter,
circa 1407-09, Master of
the Straus Madonna, Madonna with Child
and Saints, circa 1410, Andrea di
Bartolo, Saint John and Saint Matthew, circa
1425-28, Bicci di Lorenzo, Magdalene,
circa 1430, Bernardo Daddi, Saint Dominic,
with works by contemporary artists such as
William Baziotes, Autumn Leaf, 1958, Morris Graves,
Cliff, Morris Graves, Mandala,
1970,
Brice Marden,
Number 1, 1962,
Agnes Martin,
Untitled #8, 1998,
Barnett Newman,
Untitled No. 4, 1950,
Richard Pousette-Dart,
Blue Blue Presence, 1974-81,
Ad Reinhardt,
Abstract Painting, Blue, 1952,
Mark Rothko,
Untitled, 1968,
Robert Ryman,
Series # 25 (White), 2004,
Robert Ryman,
Series # 29 (White), 2004,
Mark Tobey, Tatooed Space, 1950, Mark
Tobey, Untitled, 1959
FLORENCE 2007
::
Photographs by
Massimo Gatti
www.massimogatti.com/riflessi.html
FLORENCE 2005
L'Orlando
::
curated by
Elizabeth Brizzi
::
According to the authors: “ur
interest for L’Orlando Furioso began to
manifest itself during the animated
adaptation of Don Quixote by Cervantes. In
this masterpiece, Don Quixote often cites
the heros of the poem by Aristotle, taking
it as an long example on his mission to
glory. In one memorable episode, from the
book, the monarch has any book from his
library, that pertains to chivalry, burned.
He does, however, make an exception of the
few books that he considers too precious to
be destroyed, among which is L’Orlando
Furioso.
Curious to find out what the
monarch found so special in this book, we
began to read it and we found as many
fascinating things as Don Quixote.
Immediately captivated by the adventures of
Orland, Ruggiero and Rinaldo, we decided to
give our interpretation of their courage and
love. In conclusion of this illustrated
work, the idea of an epic film seemed to us
to be a new project to take into
consideration."
ISBN:
88-8304-884-9
FLORENCE 2002
::
curated by Francesca Baldassari
ISBN: 88-8304-407-X
